The establishment media just keep getting worse. They’re further and further from good, tough investigative journalism, and more prone to be pawns in complicated games that affect the public interest in untold ways. A significant recent example is The New Yorker’s vaunted August 8 exclusive on the vanquishing of Osama bin Laden.
The piece, trumpeted as the most detailed account to date of the May 1 raid in Abbottabad Pakistan, was an instant hit. “Got the chills half dozen times reading @NewYorker killing bin Laden tick tock…exquisite journalism,” tweeted the digital director of the PBS show Frontline. The author, freelancer Nicholas Schmidle, was quickly featured on the Charlie Rose show, an influential determiner of “chattering class” opinion. Other news outlets rushed to praise the story as “exhaustive,” “utterly compelling,” and on and on.
To be sure, it is the kind of granular, heroic story that the public loves, that generates follow-up bestsellers and movie options. The takedown even has a Hollywood-esque code name: “Operation Neptune’s Spear”
Here’s the introduction to the mission commander, full of minute details that help give it a ring of authenticity and suggest the most intimate reportorial access:
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