David Simon on Baltimore’s Anguish

Freddie Gray, the drug war, and the decline of “real policing.”

David Simon is Baltimore’s best-known chronicler of life on the hard streets. He worked for The Baltimore Sun city desk for a dozen years, wrote “Homicide: A Year on the Killing Streets” (1991) and with former homicide detective Ed Burns co-wrote “THE CORNER: A YEAR IN THE LIFE OF AN INNER-CITY NEIGHBORHOOD”1 (1997), which Simon adapted into an HBO miniseries. He is the creator, executive producer and head writer of the HBO television series “The Wire” (2002–2008). Simon is a member of The Marshall Project’s advisory board. He spoke with Bill Keller on Tuesday.

BK: What do people outside the city need to understand about what’s going on there — the death of Freddie Gray and the response to it?

DS: I guess there's an awful lot to understand and I’m not sure I understand all of it. The part that seems systemic and connected is that the drug war — which Baltimore waged as aggressively as any American city — was transforming in terms of police/community relations, in terms of trust, particularly between the black community and the police department. Probable cause was destroyed by the drug war. It happened in stages, but even in the time that I was a police reporter, which would have been the early 80s to the early 90s, the need for police officers to address the basic rights of the people they were policing in Baltimore was minimized. It was done almost as a plan by the local government, by police commissioners and mayors, and it not only made everybody in these poor communities vulnerable to the most arbitrary behavior on the part of the police officers, it taught police officers how not to distinguish in ways that they once did.

“If I had to guess and put a name on it, I’d say that at some point, the drug war was as much a function of class and social control as it was of racism.”

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